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Chicago's Premiere Women's Theatre |
Tara Mallen Victoria DeIorio Rachel Walshe
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Keith Kupferer's theater credits include: Carter’s Way, Men of Tortuga, Things Being What They Are, Jesus Hopped The A Train, and Tavern Story at Steppenwolf Theatre; High Holidays, Sarah Ruhl’s Passion Play and The Old Neighborhood at the Goodman Theatre; Cat Feet and The Old Neighborhood at Northlight; Desire Under The Elms, a co-production between Philadelphia’s Freedom Theatre and Chicago’s Court Theatre; and the long running hit, Shear Madness. Keith is a founding member of Rivendell Theatre Ensemble and was seen in their productions of Expecting Isabel, Indulgences in the Louisville Harem, Be Aggressive, The Secret Diary of Adrian Mole Age 13 & 3/4, Mommapalooza!, My Simple City, Hamlet, and Twenty Seven Wagons Full of Cotton. Other Chicago credits include The Meek, Canus Lunis Balloonis, (nominated for a 1998 Joseph Jefferson award for best ensemble), and The Physicists for Red Orchid Theatre; Execution of Justice with About Face Theatre; and Hillbilly Antigone at Lookingglass Theatre. Film credits include The Dark Knight, The Express, Meet the Browns, Stranger Than Fiction, Road to Perdition directed by Sam Mendes, Bad City, Fred Klaus, and The Merry Gentleman directed by Michael Keaton. TV credits include the Fox series Prison Break, The Jamie Kennedy Experiment on the WB, and the CBS series Early Edition. Keith is currently in High Holidays at the Goodman and will be in Trust at Lookingglass, directed by David Schwimmer, in the spring. |
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