Victoria (toy) DeIorio's sound design for RTE productions: Holy Days, Ghosts in the Cottonwoods, The Clink, Factory Girls, Faulkner’s Bicycle, Silence, Knowing Cairo, Expecting Isabel, Fighting Words and the NY version of Elliot, a Soldier’s Fugue. Victoria was part of the Jeff Award Winning Ensemble of WRENS, and was seen on stage in Holy Days and Factory Girls.  She just recently directed Sunday on the Rocks at Bailiwick Theatre, and The True Story of the Three Little Pigs! at Lifeline Theatre.  Off-Broadway sound design: The Bluest Eye with Steppenwolf at The Duke Theatre; Ophelia at the NYC Fringe Fest at The Connelly; The God of Hell at the Actor’s Studio (Associate); Dedication or the Stuff of Dreams at Primary Stages (Associate); Live Girls at Urban Stages (Associate); Luminescence Dating at Ensemble Studio Theatre (Associate); and Boy at Primary Stages (Associate).  Regionally she has worked with The Goodman, Steppenwolf Theatre, LA Theatre Works, Milwaukee Shakespeare, Rennaissance Theatreworks, Milwaukee Rep, Victory Gardens, Northlight Theatre, Chautauqua Theatre, People’s Light and Theatre, and Geva Theatre. In Chicago she has designed productions with Writers’ Theatre, The Next Theatre, Remy Bumppo, Lifeline, Light Opera Works, and other smaller storefront theatres. She has been nominated for 5 Joseph Jefferson Citations and 1 Jeff Award, winning Outstanding Original Incidental Music for The Island of Dr. Moreau; and Outstanding Sound Design for Around the World in 80 Days and The Shadow; and she has received 2 After Dark Awards for Fiddler on the Roof and The Shadow.  She holds a BFA in Musical Theatre from Syracuse University, and is the head of Sound Design at DePaul University. For more information visit www.victoria-sound-design.com.

Email toy: toy@rivendelltheatre.net